La chanson néo-crétoise : ressourcement et confluences
For the last thirty years in Crete there has developed, alongside poetry and the still thriving oral tradition of Cretan songs, a new « neo-Cretan » trend of popular and traditional song inspiration that nevertheless reaches beyond tradition in both music and lyrics. The body of songs presented here...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/transtexts, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
Transtext(e)s Transcultures
2009
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | For the last thirty years in Crete there has developed, alongside poetry and the still thriving oral tradition of Cretan songs, a new « neo-Cretan » trend of popular and traditional song inspiration that nevertheless reaches beyond tradition in both music and lyrics. The body of songs presented here, the Haïnides, is probably the most representative of this trend. This article aims at analysing the lyrics of their first six albums in comparison with poetry of the oral tradition in order to better understand the neo-Cretan movement. |
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