The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century
As “opera studies” – with their connotations of narrow repertory, even closer reading and a reluctance to engage with the overwhelming tradition of works involving spoken dialogue – yield to a broader view of music in the nineteenth-century European theatre, it becomes more and more obvious just ho...
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| Vydáno v: | URI:https://journals.openedition.org/transposition, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
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Transposition
2022
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition |
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openedition-oai:revues.org:transposition_7369 https://doi.org/10.4000/transposition.7369 urn:doi:10.4000/transposition.7369 en https://journals.openedition.org/transposition/7369 2022-06-30T02:00:00Z info:eu-repo/semantics/openAccess article info:eu-repo/semantics/article urn:handle:20.500.13089/lmdr https://creativecommons.org/licenses/by-sa/4.0/ The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century As “opera studies” – with their connotations of narrow repertory, even closer reading and a reluctance to engage with the overwhelming tradition of works involving spoken dialogue – yield to a broader view of music in the nineteenth-century European theatre, it becomes more and more obvious just how tiny the segment of the repertory “opera studies” in fact constitute. Four recent books represent various types of shift away from a narrow canon of “opera” and towards a more comprehensive accou... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Everist, Mark |
| collection |
OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
As “opera studies” – with their connotations of narrow repertory, even closer reading and a reluctance to engage with the overwhelming tradition of works involving spoken dialogue – yield to a broader view of music in the nineteenth-century European theatre, it becomes more and more obvious just how tiny the segment of the repertory “opera studies” in fact constitute. Four recent books represent various types of shift away from a narrow canon of “opera” and towards a more comprehensive accou... |
| author |
Everist, Mark |
| spellingShingle |
Everist, Mark The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century |
| author_facet |
Everist, Mark |
| author_sort |
Everist, Mark |
| title |
The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century |
| title_short |
The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century |
| title_full |
The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century |
| title_fullStr |
The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century |
| title_full_unstemmed |
The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century |
| title_sort |
minor and the marginalized? recent writing on song and speech in the long nineteenth century |
| publisher |
Transposition |
| publishDate |
2022 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.7369 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/7369 |
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