The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century
As “opera studies” – with their connotations of narrow repertory, even closer reading and a reluctance to engage with the overwhelming tradition of works involving spoken dialogue – yield to a broader view of music in the nineteenth-century European theatre, it becomes more and more obvious just ho...
Wedi'i Gadw mewn:
| Cyhoeddwyd yn: | URI:https://journals.openedition.org/transposition, |
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| Prif Awdur: | |
| Fformat: | Article ou chapitre numérique |
| Iaith: | Anglais |
| Cyhoeddwyd: |
Transposition
2022
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| Mynediad Ar-lein: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Crynodeb: | As “opera studies” – with their connotations of narrow repertory, even closer reading and a reluctance to engage with the overwhelming tradition of works involving spoken dialogue – yield to a broader view of music in the nineteenth-century European theatre, it becomes more and more obvious just how tiny the segment of the repertory “opera studies” in fact constitute. Four recent books represent various types of shift away from a narrow canon of “opera” and towards a more comprehensive accou... |
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