The Minor and the Marginalized? Recent Writing on Song and Speech in the Long Nineteenth Century
As “opera studies” – with their connotations of narrow repertory, even closer reading and a reluctance to engage with the overwhelming tradition of works involving spoken dialogue – yield to a broader view of music in the nineteenth-century European theatre, it becomes more and more obvious just ho...
保存先:
| 出版年: | URI:https://journals.openedition.org/transposition, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Transposition
2022
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |