Voicing the Perpetrator’s Perspective: Translation and Mediation in Jean Hatzfeld’s Une saison de machettes
This paper draws on discourse analysis and narrative theory to uncover the strategies exploited by authors who voice the perpetrators’ perspectives on war and conflict. As an “extreme” form of literature on both a formal and an ethical level, perpetrators’ testimonies cannot be but a “relayed” and t...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/temoigner, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Témoigner. Entre histoire et mémoire
2021
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | This paper draws on discourse analysis and narrative theory to uncover the strategies exploited by authors who voice the perpetrators’ perspectives on war and conflict. As an “extreme” form of literature on both a formal and an ethical level, perpetrators’ testimonies cannot be but a “relayed” and therefore layered story, calling for a particular mise en scène. The paper assesses the importance of testimonial scenography in Une Saison de machettes, an account written by former war reporter Jean Hatzfeld that presents transcribed interviews with Rwandan génocidaires. An analysis of excerpts from the English and Dutch translations of Hatzfeld’s book reveals the polyphonic nature of the killers’ testimony and subverts the idea of a “consonant” translation as promoted by Hatzfeld himself. |
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