The Performativity of Female Subjectivities in Othello in Noh Style and Lady Macbeth

My paper focuses on performances of female subjectivity in two East Asian performances of Shakespeare: Othello in Noh Style by Ku Na’uka Theatre Company (directed by Miyagi Satoshi, 2005) and Lady Macbeth by Theatre Moollee (directed by Han Tae-Sook, 2010) re-write and perform Shakespeare’s Othello...

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Dades bibliogràfiques
Publicat a:URI:https://journals.openedition.org/shakespeare,
Autor principal: Yip, Roweena
Format: Article ou chapitre numérique
Idioma:Anglais
Publicat: Actes des congrès de la Société française Shakespeare 2024
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Accés en línia:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/shakespeare.8013
https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/shakespeare/8013