‘My Flesh Be Hacked’: Corporeal Conflation in Alan Cumming’s one-man Macbeth
Contemporary one-person productions are vastly different from how an ensemble of players performed Shakespearean tragedy in early modern England. However, I argue that a recent staging of Macbeth, produced by the Lincoln Center Festival and starring Alan Cumming (2013), is a constructive tool to con...
Tallennettuna:
| Julkaisussa: | URI:https://journals.openedition.org/shakespeare, |
|---|---|
| Päätekijä: | |
| Aineistotyyppi: | Article ou chapitre numérique |
| Julkaistu: |
Actes des congrès de la Société française Shakespeare
2021
|
| Aiheet: | |
| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |