‘My Flesh Be Hacked’: Corporeal Conflation in Alan Cumming’s one-man Macbeth
Contemporary one-person productions are vastly different from how an ensemble of players performed Shakespearean tragedy in early modern England. However, I argue that a recent staging of Macbeth, produced by the Lincoln Center Festival and starring Alan Cumming (2013), is a constructive tool to con...
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| In: | URI:https://journals.openedition.org/shakespeare, |
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| Format: | Article ou chapitre numérique |
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Actes des congrès de la Société française Shakespeare
2021
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| Online Access: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |