Introduction
Fear is present in one form or another in almost all of the dramatic works of Shakespeare and his contemporaries. From the ridiculous apprehension of cuckoldry to the horror felt by Macbeth faced by Banquo’s ghost, from the mechanicals’ worry that the “lion” might “fright the ladies” to the dread o...
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| I publikationen: | URI:https://journals.openedition.org/shakespeare, |
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| Huvudupphovsman: | |
| Materialtyp: | Article ou chapitre numérique |
| Språk: | Anglais |
| Publicerad: |
Actes des congrès de la Société française Shakespeare
2018
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| Länkar: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sammanfattning: | Fear is present in one form or another in almost all of the dramatic works of Shakespeare and his contemporaries. From the ridiculous apprehension of cuckoldry to the horror felt by Macbeth faced by Banquo’s ghost, from the mechanicals’ worry that the “lion” might “fright the ladies” to the dread on which Richard III’s tyranny relies, every degree of fear is to be found in Shakespeare, Marlowe, or Webster. Be it in tragedies still attempting to instil sacred terror or in comedies making fun ... |
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