“Nay ’tis in grain, I warrant it hold colour”: The Materiality of Black in Middleton’s Black Book
Starting with the satirical Microcynicon and flourishing in the self-referential Black Book, Thomas Middleton’s obsession with black, the colour of ink and atrabile, pervades his non-dramatic texts but also his plays, both tragic and comic. From the dyes and funeral fabrics of A Mad World, my Master...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/erea, |
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| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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E-rea
2015
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |