Terrorism and Culture: Macbeth, 9/11 and the Gunpowder Plot
This article offers a critique of Robert Appelbaum’s work on Shakespeare and terrorism, particularly his reflections on Macbeth and the Gunpowder Plot. It argues that terrorism such as that exemplified by the Gunpowder Plot and 9/11 may, whatever their ostensible motives, be in reality nihilistic, m...
Na minha lista:
| Publicado no: | URI:https://journals.openedition.org/shakespeare, |
|---|---|
| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Publicado em: |
Actes des congrès de la Société française Shakespeare
2018
|
| Assuntos: | |
| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | This article offers a critique of Robert Appelbaum’s work on Shakespeare and terrorism, particularly his reflections on Macbeth and the Gunpowder Plot. It argues that terrorism such as that exemplified by the Gunpowder Plot and 9/11 may, whatever their ostensible motives, be in reality nihilistic, merely destructive and offering (in Derrida’s words) “nothing good to be hoped for”. The achievement of Shakespeare’s Macbeth is to expose, via the languages of poetry and religion, the ‘mystery of iniquity’ (2 Thess. 2.7) that lies behind all terrorism. |
|---|