“Bit[ing] the Law by the Nose”: Shakespeare’s Revisions of Fear and Punishment
This article focuses on the dialectics of fear and punishment in four plays by Shakespeare written in the wake of either the Main Plot (1603) or the Gunpowder Plot (1606): Measure for Measure, Macbeth, King Lear, and Antony and Cleopatra. It asks what Shakespeare’s dramaturgy does with fear and to f...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/shakespeare, |
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| Format: | Article ou chapitre numérique |
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Actes des congrès de la Société française Shakespeare
2018
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |