“The Theatre of the Invisible-Made-Visible”: Shakespeare and the Politics of Perception
When Prospero commands Ariel, “Be subject to no sight but thine and mine, invisible / To every eyeball else”, the audience beholds personifications of the constraints that invisibly determine their lives too. The effect of such visualizing strategies is to empower the audience by revealing the unsee...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/shakespeare, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Actes des congrès de la Société française Shakespeare
2015
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |