The bedchamber as contested space: Much Ado About Nothing in film and social media
Contemporary filmmakers and their social media descendants have dwelt at length on the interior of Hero’s chamber, taking advantage of film’s ability to take audiences. Contemporary appropriations of Much Ado About Nothing generally maintain the basic infrastructure of window, bed, and sometimes doo...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/asf, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Arrêt sur scène / Scene Focus
2022
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |