Intersections of Gender, Generation, and Class at Hong Kong’s Border: Precarious Peripheries in Ann Hui’s A Simple Life (2011) and Flora Lau’s Bends (2013)
IntroductionAt the margins of a male-dominated film industry and working at the border between Hong Kong and the People’s Republic of China (PRC), female directors struggle to make a living in an often tense cross-border business environment. Moreover, the demands of globalization exacerbate the co...
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| Publicado en: | URI:https://journals.openedition.org/sextant, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
| Publicado: |
Sextant
2022
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumario: | IntroductionAt the margins of a male-dominated film industry and working at the border between Hong Kong and the People’s Republic of China (PRC), female directors struggle to make a living in an often tense cross-border business environment. Moreover, the demands of globalization exacerbate the competition local filmmakers face in their efforts to exploit the expanding motion picture market on the Chinese mainland. Nevertheless, Hong Kong female filmmakers still manage to tell stories about... |
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