Intersections of Gender, Generation, and Class at Hong Kong’s Border: Precarious Peripheries in Ann Hui’s A Simple Life (2011) and Flora Lau’s Bends (2013)
IntroductionAt the margins of a male-dominated film industry and working at the border between Hong Kong and the People’s Republic of China (PRC), female directors struggle to make a living in an often tense cross-border business environment. Moreover, the demands of globalization exacerbate the co...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/sextant, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Sextant
2022
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |