Presentation
I. IntroductionIn the last few decades, the number of men and women aspiring to be recognized as artists and live from their art in a professional manner has significantly increased in developed societies, whether we refer to actors (Menger, 2003; Pilmis, 2013), musicians (Coulangeon, 2004), visual...
Tallennettuna:
| Julkaisussa: | URI:https://journals.openedition.org/rsa, |
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| Päätekijä: | |
| Aineistotyyppi: | Article ou chapitre numérique |
| Kieli: | Anglais |
| Julkaistu: |
Recherches sociologiques et anthropologiques
2020
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| Linkit: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Yhteenveto: | I. IntroductionIn the last few decades, the number of men and women aspiring to be recognized as artists and live from their art in a professional manner has significantly increased in developed societies, whether we refer to actors (Menger, 2003; Pilmis, 2013), musicians (Coulangeon, 2004), visual artists (Abbing, 2002; Karttunen, 2008; Moulin, 1983; Quemin, 2013), writers (Lahire, 2006; Sapiro, 2007), filmmakers (Alexandre, 2015), dancers (Rannou/Roharik, 2006) or circus performers (Cordie... |
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