Logan J. Connors, The Emergence of a theatrical science of man in France, 1660–1740
More than any other perhaps, one term runs through Logan J. Connors’s outstanding new monograph : “relational.” At the risk of oversimplifying a nuanced and thought-provoking study, one might say that Connors has written a relational history of one of the most neglected periods in France’s rich the...
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| Publicado no: | URI:https://journals.openedition.org/rde, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado em: |
Recherches sur Diderot et sur l’Encyclopédie
2022
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| Acesso em linha: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Resumo: | More than any other perhaps, one term runs through Logan J. Connors’s outstanding new monograph : “relational.” At the risk of oversimplifying a nuanced and thought-provoking study, one might say that Connors has written a relational history of one of the most neglected periods in France’s rich theatrical past : the decades spanning the final years of Louis XIV’s reign to the 1730s. So central is the concept of “relationality” to Connors’s study, in fact, that it applies both to its methodolo... |
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