In the Name of Blue: Blue Joyce, Blue Gass, Blue Klein
This essay attempts to make color “run” in various ways, to make it run fast (color-fast) between ontological and logical categories. Three ways of becoming-blue, three steps into writing/painting via the color blue are traced: blue Joyce, blue Gass, blue Klein. Three “countries” of the blue, openin...
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| Vydáno v: | URI:https://journals.openedition.org/polysemes, |
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| Hlavní autor: | |
| Médium: | Article ou chapitre numérique |
| Jazyk: | Anglais |
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Polysèmes
2016
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Shrnutí: | This essay attempts to make color “run” in various ways, to make it run fast (color-fast) between ontological and logical categories. Three ways of becoming-blue, three steps into writing/painting via the color blue are traced: blue Joyce, blue Gass, blue Klein. Three “countries” of the blue, opening onto labile regimes of in-betweenness: between two roots of the verb “to be” (esse/*blû, both active in Joyce’s Ulysses), or between proper and common nouns (from William Gass to Klein’s gas or Joyce’s Gas from a Burner). |
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