The In-Between of Jazz and the Blues : Beyond Marginality in Esi Edugyan’s Half-Blood Blues
In this paper I show how in the Ghanaian-born Canadian writer Esi Edugyan’s Half-Blood Blues, the marginality of a“hitherto little-regarded corner of the black Diaspora”—the history of the so-called Rhineland Mischlingers—is put in the center of a story that concerns itself with specific memories of...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/babel, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Babel
2020
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |