Tennessee Williams, the Playwright-Painter: Vieux Carré and Something Cloudy, Something Clear at the Crossroads between Text and Image
“Snatching the eternal out of the desperately fleeting is the great magic trick of human existence”, Tennessee Williams wrote in 1951 in an essay devoted to The Rose Tattoo, entitled “The Timeless World of a Play” (61). What the statement reveals is the American playwright’s conception of art as a m...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/polysemes, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Polysèmes
2017
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |