Cultural Crossroads, Transnational Narratives, and the Poetics of Displacement: Eman Quotah in Conversation with Ishak Berrebah
In his Modern Arab American Fiction: A Reader’s Guide, Steven Salaita explains that “Arab American literature is a new category relative to other ethnic American literary traditions. Americans of Arab origin have been producing literature for around a century, but it is only in the past few decades...
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| Gepubliceerd in: | URI:https://journals.openedition.org/pla, |
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| Hoofdauteurs: | , |
| Formaat: | Article ou chapitre numérique |
| Gepubliceerd in: |
Postcolonial Literatures and Arts
2026
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| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Samenvatting: | In his Modern Arab American Fiction: A Reader’s Guide, Steven Salaita explains that “Arab American literature is a new category relative to other ethnic American literary traditions. Americans of Arab origin have been producing literature for around a century, but it is only in the past few decades that ‘Arab American literature,’ as an institutional designation, has come into existence” (2011, 222). This interview engages with the work of Eman Quotah, focusing on her novel Bride of the Sea,... |
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