Introduction
The long-running dispute between Britain and Greece concerning the “Elgin Marbles” or “Parthenon Sculptures”, foregrounds the obvious links between artworks and a specific place. For the Greek authorities—who made their first formal request in 1983—it seems very strange to deny that these sculpture...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/miranda, |
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| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Anglais |
| প্রকাশিত: |
Miranda
2024
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| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| সংক্ষিপ্ত: | The long-running dispute between Britain and Greece concerning the “Elgin Marbles” or “Parthenon Sculptures”, foregrounds the obvious links between artworks and a specific place. For the Greek authorities—who made their first formal request in 1983—it seems very strange to deny that these sculptures belong in Athens, in the Acropolis Museum; for the British authorities, the artifacts, “legally acquired” by Lord Elgin in the early 1800s and for so long a jewel in the crown of the British Muse... |
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