Introduction
The long-running dispute between Britain and Greece concerning the “Elgin Marbles” or “Parthenon Sculptures”, foregrounds the obvious links between artworks and a specific place. For the Greek authorities—who made their first formal request in 1983—it seems very strange to deny that these sculpture...
保存先:
| 出版年: | URI:https://journals.openedition.org/miranda, |
|---|---|
| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Miranda
2024
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |