Introduction
Since the publication of “The Vengeance of Nitocris” in 1928, Tennessee Williams’s short stories never stopped spinning their imaginative webs in the nooks and crannies of his work. Weird Tales, the horror fiction pulp magazine in which Williams’s first story was published, bears a title that alrea...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/jsse, |
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| Auteurs principaux: | , |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Journal of the Short Story in English
2026
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| Accès en ligne: | Accès Université d'Orléans et IFPM |
| Résumé: | Since the publication of “The Vengeance of Nitocris” in 1928, Tennessee Williams’s short stories never stopped spinning their imaginative webs in the nooks and crannies of his work. Weird Tales, the horror fiction pulp magazine in which Williams’s first story was published, bears a title that already places “The Vengeance of Nitocris” within the Southern gothic tradition in which Williams has been traditionally included. He himself acknowledged his adherence to gothic aesthetics in his intro... |
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