Introduction
“Ruins Lust”, the name of a 2014 Tate Britain exhibition and the subject of a growing number of academic publications, may be fashionable, but it is far from new: meditations on the ravages of time or narratives of destruction – through wars, divine intervention or natural forces – may be found fro...
Spremljeno u:
| Izdano u: | URI:https://journals.openedition.org/interfaces, |
|---|---|
| Glavni autor: | |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
| Izdano: |
Interfaces
2023
|
| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sažetak: | “Ruins Lust”, the name of a 2014 Tate Britain exhibition and the subject of a growing number of academic publications, may be fashionable, but it is far from new: meditations on the ravages of time or narratives of destruction – through wars, divine intervention or natural forces – may be found from Mesopotamian city laments and Hebrew scriptures to 19th-century warnings about the fate of modern empires. Early modern Europe, in particular, found in the ruins of Rome, and then those of Greece... |
|---|