A Questionable “Pleasure”: Ruins in John Piper’s and Paul Nash’s Wartime Landscape Paintings
The resurgence of Romantic influences in British art, from the late 1930s through the 1940s, has often been understood as an escapist answer to the turmoils of the time, and a longing for a lost pastoral idyll. This essay, which focuses on the wartime production of John Piper and Paul Nash, argues t...
Salvato in:
| Pubblicato in: | URI:https://journals.openedition.org/ranam, |
|---|---|
| Autore principale: | |
| Natura: | Article ou chapitre numérique |
| Lingua: | Anglais |
| Pubblicazione: |
Recherches anglaises et nord-américaines
2024
|
| Soggetti: | |
| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |