A Questionable “Pleasure”: Ruins in John Piper’s and Paul Nash’s Wartime Landscape Paintings
The resurgence of Romantic influences in British art, from the late 1930s through the 1940s, has often been understood as an escapist answer to the turmoils of the time, and a longing for a lost pastoral idyll. This essay, which focuses on the wartime production of John Piper and Paul Nash, argues t...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ranam, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Recherches anglaises et nord-américaines
2024
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |