Editors’ Foreword
Robert Rauschenberg, painter, sculptor, photographer, performance artist, is associated with one of the mid-20th century’s art world’s audacious crossing of borders, of total appropriation, of complete collaboration when he executed “Erased de Kooning Drawing, Robert Rauschenberg, 1953.” The piece...
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| 出版年: | URI:https://journals.openedition.org/interfaces, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | Anglais |
| 出版事項: |
Interfaces
2020
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:interfaces_306 |
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openedition |
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openedition-oai:revues.org:interfaces_306 https://doi.org/10.4000/interfaces.306 urn:doi:10.4000/interfaces.306 en https://journals.openedition.org/interfaces/306 2020-12-15T01:00:00Z info:eu-repo/semantics/openAccess introduction info:eu-repo/semantics/article urn:handle:20.500.13089/h4km https://creativecommons.org/licenses/by/4.0/ Editors’ Foreword Robert Rauschenberg, painter, sculptor, photographer, performance artist, is associated with one of the mid-20th century’s art world’s audacious crossing of borders, of total appropriation, of complete collaboration when he executed “Erased de Kooning Drawing, Robert Rauschenberg, 1953.” The piece was lettered as just quoted by Jasper Johns. As is well known, the project was understood and supported by de Kooning, who, if at first did not like the idea, finally gave Rauschenberg a favorite, ... Interfaces Université Bourgogne Europe info:eu-repo/semantics/reference/issn/2647-6754 info:eu-repo/semantics/reference/issn/1164-6225 URI:https://journals.openedition.org/interfaces Géracht, Maurice |
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OpenEdition Journal |
| language |
Anglais |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
Robert Rauschenberg, painter, sculptor, photographer, performance artist, is associated with one of the mid-20th century’s art world’s audacious crossing of borders, of total appropriation, of complete collaboration when he executed “Erased de Kooning Drawing, Robert Rauschenberg, 1953.” The piece was lettered as just quoted by Jasper Johns. As is well known, the project was understood and supported by de Kooning, who, if at first did not like the idea, finally gave Rauschenberg a favorite, ... |
| author |
Géracht, Maurice |
| spellingShingle |
Géracht, Maurice Editors’ Foreword |
| author_facet |
Géracht, Maurice |
| author_sort |
Géracht, Maurice |
| title |
Editors’ Foreword |
| title_short |
Editors’ Foreword |
| title_full |
Editors’ Foreword |
| title_fullStr |
Editors’ Foreword |
| title_full_unstemmed |
Editors’ Foreword |
| title_sort |
editors’ foreword |
| publisher |
Interfaces |
| publishDate |
2020 |
| container_title |
URI:https://journals.openedition.org/interfaces |
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https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/interfaces.306 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/interfaces/306 |
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