Editors’ Foreword
Robert Rauschenberg, painter, sculptor, photographer, performance artist, is associated with one of the mid-20th century’s art world’s audacious crossing of borders, of total appropriation, of complete collaboration when he executed “Erased de Kooning Drawing, Robert Rauschenberg, 1953.” The piece...
Αποθηκεύτηκε σε:
| Τόπος έκδοσης: | URI:https://journals.openedition.org/interfaces, |
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| Κύριος συγγραφέας: | |
| Μορφή: | Article ou chapitre numérique |
| Γλώσσα: | Anglais |
| Έκδοση: |
Interfaces
2020
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| Διαθέσιμο Online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Περίληψη: | Robert Rauschenberg, painter, sculptor, photographer, performance artist, is associated with one of the mid-20th century’s art world’s audacious crossing of borders, of total appropriation, of complete collaboration when he executed “Erased de Kooning Drawing, Robert Rauschenberg, 1953.” The piece was lettered as just quoted by Jasper Johns. As is well known, the project was understood and supported by de Kooning, who, if at first did not like the idea, finally gave Rauschenberg a favorite, ... |
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