Le field recording nous aide-t-il à « habiter en oiseau » ?
Since its birth, field recording has had close links with birds. This article explores the ‘bird-microphone-human’ triangulation, from the first recordings of songbirds in cages at the beginning of the last century and the appearance of the first sound guides, to the success of the audio naturalist...
Đã lưu trong:
| Xuất bản năm: | URI:https://journals.openedition.org/filigrane, |
|---|---|
| Tác giả chính: | |
| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Français |
| Được phát hành: |
Filigrane
2024
|
| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Tóm tắt: | Since its birth, field recording has had close links with birds. This article explores the ‘bird-microphone-human’ triangulation, from the first recordings of songbirds in cages at the beginning of the last century and the appearance of the first sound guides, to the success of the audio naturalist movement. With the threat of the extinction of birds and a growing questioning of the relationship between humans and animals, the way in which this practice is viewed is changing. We will ask ourselves if field recording helps us – to use the words of the philosopher Vinciane Despret – to ‘inhabit as a bird’, that is to say to open our imagination to the ways in which birds occupy a territory, to allow ourselves to be truly ‘affected’ by their ways of existing. |
|---|