The Microphone Ear. Field Recording the Soundscape
In this article, composer Hildegard Westerkamp explores links that she has developed in her longtime practice between sound walks, sound design, composition, radio, acoustic ecology and the ways in which we listen to the environment. She traces how early access to a community radio station allowed h...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/filigrane, |
|---|---|
| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
Filigrane
2024
|
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |