Interpretive Conventions in Site-Specific and Experimental Art: An analysis of Richard Serra’s Sculptures and Joseph McElroy’s Fictions
In his essay “9/11 emerging,” Joseph McElroy brings into his comments on the destruction of the World Trade Center reflections on a quite different New York destruction, that of Richard Serra’s Tilted Arc in 1989. This gigantic work becomes a locus of questions about the role of art in the twenty-...
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| Publicado en: | URI:https://journals.openedition.org/ejas, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
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European journal of American studies
2008
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |