Interpretive Conventions in Site-Specific and Experimental Art: An analysis of Richard Serra’s Sculptures and Joseph McElroy’s Fictions
In his essay “9/11 emerging,” Joseph McElroy brings into his comments on the destruction of the World Trade Center reflections on a quite different New York destruction, that of Richard Serra’s Tilted Arc in 1989. This gigantic work becomes a locus of questions about the role of art in the twenty-...
সংরক্ষণ করুন:
| প্রকাশিত: | URI:https://journals.openedition.org/ejas, |
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| প্রধান লেখক: | |
| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Anglais |
| প্রকাশিত: |
European journal of American studies
2008
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| সংক্ষিপ্ত: | In his essay “9/11 emerging,” Joseph McElroy brings into his comments on the destruction of the World Trade Center reflections on a quite different New York destruction, that of Richard Serra’s Tilted Arc in 1989. This gigantic work becomes a locus of questions about the role of art in the twenty-first century, especially after the terrorist attack of September eleventh. Likewise, it may suggest parallels between Serra’s sculpture and McElroy’s fiction, as both artists derange our perceptua... |
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