Interpretive Conventions in Site-Specific and Experimental Art: An analysis of Richard Serra’s Sculptures and Joseph McElroy’s Fictions
In his essay “9/11 emerging,” Joseph McElroy brings into his comments on the destruction of the World Trade Center reflections on a quite different New York destruction, that of Richard Serra’s Tilted Arc in 1989. This gigantic work becomes a locus of questions about the role of art in the twenty-...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/ejas, |
|---|---|
| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
| Publié: |
European journal of American studies
2008
|
| Sujets: | |
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |