“Art has the power of its undefinability”. An interview with Banu Cennetoglu
This new feature of “Looking-in-between” focuses on two works by the artist Banu Cennetoglu, respectively called “False Witness” and “The List”. The starting point of the first work is the visit to an asylum seekers registration center, Ter Apel (The Netherlands). The second presents a list of 6,33...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/conflits, |
|---|---|
| Auteurs principaux: | , |
| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicado: |
Cultures & conflits
2006
|
| Sujets: | |
| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | This new feature of “Looking-in-between” focuses on two works by the artist Banu Cennetoglu, respectively called “False Witness” and “The List”. The starting point of the first work is the visit to an asylum seekers registration center, Ter Apel (The Netherlands). The second presents a list of 6,336 refugees who died within the European borders since 1993, a list which the artist intends to disseminate in the city of Amsterdam. Art work ? Plan ? What can be said of the creation process when ... |
|---|