Back and Forth… from Text to Performance Open and Spoken Texts or the Practice of (Un)Writing in Aboriginal Poetry
This article explores how intentions of, and invitations to, decolonization are implicated in the elaboration and transformation of orality, storytelling, and of the text in Aboriginal poetry. It examines the strategies deployed when the text lives on the page and leaves the page through performance...
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| الحاوية / القاعدة: | URI:https://journals.openedition.org/ces, |
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| المؤلف الرئيسي: | |
| التنسيق: | Article ou chapitre numérique |
| اللغة: | Anglais |
| منشور في: |
Commonwealth Essays and Studies
2024
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| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | This article explores how intentions of, and invitations to, decolonization are implicated in the elaboration and transformation of orality, storytelling, and of the text in Aboriginal poetry. It examines the strategies deployed when the text lives on the page and leaves the page through performance, and pays particular attention to poems written by Romaine Moreton and Kerry-Reed Gilbert. |
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