Playing Dumb: Diplomacy and Dramatised Multilingualism in Thomas Heywood’s If you know not me, you know nobody, part 2
Contrasting Thomas Heywood’s diplomatic scenes in If you know not me, you know no bodie or The Troubles of the Queene Elizabeth (1605), with Francis Thynne’s The Perfect Ambassadour (1578) and Jean Hotman’s The Ambassador (1603), this study considers, with Peter Burke, language culture “in terms of...
Kaydedildi:
| Yayımlandı: | URI:https://journals.openedition.org/asf, |
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| Yazar: | |
| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Anglais |
| Baskı/Yayın Bilgisi: |
Arrêt sur scène / Scene Focus
2022
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| Konular: | |
| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |