Ravishing the bride from the classical page to the early modern stage: Thomas Heywood’s The Rape of Lucrece
This article explores what Colin Burrow terms the “intimacy of violation”, focusing on the “adulterate bed” – a phrase used both by the rapist and his victim – in Thomas Heywood’s The Rape of Lucrece, which was first staged at the Red Bull Theatre in 1607 or 1608. While the term “adulterate” implies...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/asf, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Arrêt sur scène / Scene Focus
2022
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |