Intermelodicity, Collective Memory and Heritage in “Soûlkreôl”: An Interview With Senaya
IntroductionA diasporic artist-researcher living between Guadeloupe and Canada, Mame Sene – her artist’s name is Senaya – has conceived Soûlkreôl as a hybrid space of intermelodicity where collective memory and cultural heritage are interwoven through sounds, languages and rhythms. Our interview ex...
שמור ב:
| הוצא לאור ב: | URI:https://journals.openedition.org/archipelies, |
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| Auteurs principaux: | , |
| פורמט: | Article ou chapitre numérique |
| שפה: | Anglais |
| יצא לאור: |
Archipélies
2026
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| גישה מקוונת: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| סיכום: | IntroductionA diasporic artist-researcher living between Guadeloupe and Canada, Mame Sene – her artist’s name is Senaya – has conceived Soûlkreôl as a hybrid space of intermelodicity where collective memory and cultural heritage are interwoven through sounds, languages and rhythms. Our interview explores a musical approach that maintains deep connections to the traditional roots of the Caribbean, Africa and its diaspora, while calling for an open dialogue with other (cross-)cultural influenc... |
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