Intermelodicity in Raoul Peck’s Cinema: Musical Narratives of Resistance, Memory, and Postcolonial Identity
This article examines the concept of intermelodicity in the cinematic works of Haitian-born filmmaker Raoul Peck, focusing on how musical elements function as narrative metasporic devices that transcend conventional film scoring to become integral components of meaning-making. Through a comparative...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/archipelies, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Archipélies
2026
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |