Intermelodicity in Raoul Peck’s Cinema: Musical Narratives of Resistance, Memory, and Postcolonial Identity
This article examines the concept of intermelodicity in the cinematic works of Haitian-born filmmaker Raoul Peck, focusing on how musical elements function as narrative metasporic devices that transcend conventional film scoring to become integral components of meaning-making. Through a comparative...
Spremljeno u:
| Izdano u: | URI:https://journals.openedition.org/archipelies, |
|---|---|
| Glavni autor: | |
| Format: | Article ou chapitre numérique |
| Jezik: | Anglais |
| Izdano: |
Archipélies
2026
|
| Teme: | |
| Online pristup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |