The Limits of Looking: Conceptualising the Frame in Ann Quin’s Berg and Christine Brooke-Rose’s Out
This article will consider the motif of the frame — conceived of as a device which isolates and presents that which falls within its bounds — in two experimental British post-war novels (Christine Brooke-Rose’s Out and Ann Quin’s Berg, both published in 1964) as a means of drawing parallels between...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/angles, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Angles
2021
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |