“I’m telling you to stop’: Staging the drama of rape, experiment and sexual consent in Ann Quin’s Three and Muriel Spark’s The Driver’s Seat
This article considers experimental literary strategies alongside depictions of male sexual violence in work by two British women writers: The Driver’s Seat by Muriel Spark (1970) and Three by Ann Quin (1966). It reframes these novels’ particular interest in staging the drama of rape as literary exp...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/angles, |
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| Auteur principal: | |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Angles
2021
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |