Taking the side of matter in the performing arts: historical, aesthetic and epistemological perspectives
This eighth issue of Agôn considers the performing arts in terms of matter, no longer only from the point of view of what it signifies (shows, represents, evokes, symbolizes), but also what it does, its impact on performers and/or others who are in contact with it; on the environments where it is d...
Enregistré dans:
| Dans: | URI:https://journals.openedition.org/agon, |
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| Auteurs principaux: | , , |
| Format: | Article ou chapitre numérique |
| Langue: | Anglais |
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Agôn
2020
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| Sujets: | |
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | This eighth issue of Agôn considers the performing arts in terms of matter, no longer only from the point of view of what it signifies (shows, represents, evokes, symbolizes), but also what it does, its impact on performers and/or others who are in contact with it; on the environments where it is deployed and manipulated, and on the history, aesthetics and epistemology of the performing arts.Theater materialsWhen we talk about “performing” arts, we generally focus on human participation and ... |
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