Le’at (Slowly): The Orchestration of a Motif in Appelfeld’s Fiction
Many researchers and critics have employed the notion of “lyrical prose” in order to describe Appelfeld’s style, yet nobody so far attempted to critically examine this description. In my intervention, I shall attempt to re-examine the notion of “lyrical prose” by relating it to different levels in A...
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| Опубликовано в: : | URI:https://journals.openedition.org/yod, |
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| Главный автор: | |
| Формат: | Article ou chapitre numérique |
| Язык: | Anglais |
| Опубликовано: |
Yod
2014
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| Предметы: | |
| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Итог: | Many researchers and critics have employed the notion of “lyrical prose” in order to describe Appelfeld’s style, yet nobody so far attempted to critically examine this description. In my intervention, I shall attempt to re-examine the notion of “lyrical prose” by relating it to different levels in Appelfeld’s prose as well as to his general poetics and worldview. |
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