Dirk Van Hulle, The Making of Samuel Beckett’s Krapp’s Last Tape / La Dernière Bande
The Making of Samuel Beckett’s Krapp’s Last Tape / La Dernière Bande is number three of the printed volumes which complement the online resources of the Beckett Digital Manuscript Project (BDMP). The BDMP brings together the extant manuscripts, scattered across many collections world-wide, relating...
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| Publicado en: | URI:https://journals.openedition.org/variants, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | Anglais |
| Publicado: |
Variants
2019
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumario: | The Making of Samuel Beckett’s Krapp’s Last Tape / La Dernière Bande is number three of the printed volumes which complement the online resources of the Beckett Digital Manuscript Project (BDMP). The BDMP brings together the extant manuscripts, scattered across many collections world-wide, relating to the creation of individual Beckett works, enabling a detailed comparison of the different stages of composition. Since, as Stan Gontarski has argued (1985), Beckett often undertook a process of... |
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