Cinematic Im/mobilities in the Planetary Now
Dis/enclosures and Im/mobilitiesAt the beginning of Cary Joji Fukunaga’s 2009 film Sin Nombre, which tells the story of a group of Hondurans attempting to cross into the United States via Mexico by riding aboard a fictional version of the freight train known as ‘La Bestia’ or ‘El tren de la muerte,...
Sparad:
| I publikationen: | URI:https://journals.openedition.org/transtexts, |
|---|---|
| Huvudupphovsmän: | , |
| Materialtyp: | Article ou chapitre numérique |
| Språk: | Anglais |
| Publicerad: |
Transtext(e)s Transcultures
2023
|
| Länkar: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sammanfattning: | Dis/enclosures and Im/mobilitiesAt the beginning of Cary Joji Fukunaga’s 2009 film Sin Nombre, which tells the story of a group of Hondurans attempting to cross into the United States via Mexico by riding aboard a fictional version of the freight train known as ‘La Bestia’ or ‘El tren de la muerte,’ we encounter a scene of im/mobility. In the film’s first shot, we see a path in an autumn-coloured forest leading away from the camera until it disappears on the brightly lit horizon, with the ca... |
|---|