Short Stories against Barcelona’s Urban Transformation
The Olympic Games of 1992 launched Barcelona as one of the most fashionable and appealing cities in the world. In preparation for the Games, the city experienced during the 1980s a deep symbolic, political, and architectural transformation which turned Barcelona into a prosperous global city, but al...
Gardado en:
| Publicado en: | URI:https://journals.openedition.org/transtexts, |
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| Autor Principal: | |
| Formato: | Article ou chapitre numérique |
| Idioma: | Anglais |
| Publicado: |
Transtext(e)s Transcultures
2009
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Résumé: | The Olympic Games of 1992 launched Barcelona as one of the most fashionable and appealing cities in the world. In preparation for the Games, the city experienced during the 1980s a deep symbolic, political, and architectural transformation which turned Barcelona into a prosperous global city, but also aimed to reconcile this modernization trend with the recovery of her rich historical past and cultural heritage. Fictional narratives set in cities often relive the spaces, streets or characters that have disappeared because of unremitting processes of urban change. Many narratives struggle in this way against the erasure of spatial and collective memory. My article argues that, in the case of Catalan author Quim Monzó, we encounter exactly the opposite. In his short stories written during 1980s and early 90s, Monzó portrays a standardized, almost unrecognizable Barcelona--a “generic city,” to use Rem Koolhaas’ term,--full of characters with no sense of historical past. His portrait contests the official retrieval of the city’s past as it reveals how this recovery has implied the commodification of history and, in a dialectical move, its ultimate erasure. Through Monzó’s fiction, we can observe how history has become another aspect of the cities´ advertisement of themselves as a differentiated trademark in the global market. |
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