Nicolò Palazzetti, Béla Bartók in Italy. The Politics of Myth-Making
The “Return of the Dead” is the somewhat ominous title which Nicolò Palazzetti gives to the final section of his book: the pompous reburial of Béla Bartók in Budapest in 1988 was a fitting end for such a great artist and man, a hero of the people, a model of incorruptible morality, a victim of both...
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| 出版年: | URI:https://journals.openedition.org/transposition, |
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| 第一著者: | |
| フォーマット: | Article ou chapitre numérique |
| 言語: | eng |
| 出版事項: |
Transposition
2023
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| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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openedition-oai:revues.org:transposition_8664 |
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openedition |
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openedition-oai:revues.org:transposition_8664 https://doi.org/10.4000/transposition.8664 urn:doi:10.4000/transposition.8664 eng https://journals.openedition.org/transposition/8664 2023-12-06T01:00:00Z info:eu-repo/semantics/openAccess review info:eu-repo/semantics/review urn:handle:20.500.13089/lmi2 https://creativecommons.org/licenses/by-sa/4.0/ Nicolò Palazzetti, Béla Bartók in Italy. The Politics of Myth-Making The “Return of the Dead” is the somewhat ominous title which Nicolò Palazzetti gives to the final section of his book: the pompous reburial of Béla Bartók in Budapest in 1988 was a fitting end for such a great artist and man, a hero of the people, a model of incorruptible morality, a victim of both fascisms and Stalinism, as many commentators lauded. Taking a revisionist attitude, Béla Bartók in Italy. The Politics of Myth-Making goes back to the origins of this myth, before the watershed of... Transposition Éditions de l’EHESS info:eu-repo/semantics/reference/issn/2110-6134 URI:https://journals.openedition.org/transposition Campisi, Maria Grazia Aurora |
| collection |
OpenEdition Journal |
| language |
eng |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/OpenEdition Journals/ |
| description |
The “Return of the Dead” is the somewhat ominous title which Nicolò Palazzetti gives to the final section of his book: the pompous reburial of Béla Bartók in Budapest in 1988 was a fitting end for such a great artist and man, a hero of the people, a model of incorruptible morality, a victim of both fascisms and Stalinism, as many commentators lauded. Taking a revisionist attitude, Béla Bartók in Italy. The Politics of Myth-Making goes back to the origins of this myth, before the watershed of... |
| author |
Campisi, Maria Grazia Aurora |
| spellingShingle |
Campisi, Maria Grazia Aurora Nicolò Palazzetti, Béla Bartók in Italy. The Politics of Myth-Making |
| author_facet |
Campisi, Maria Grazia Aurora |
| author_sort |
Campisi, Maria Grazia Aurora |
| title |
Nicolò Palazzetti, Béla Bartók in Italy. The Politics of Myth-Making |
| title_short |
Nicolò Palazzetti, Béla Bartók in Italy. The Politics of Myth-Making |
| title_full |
Nicolò Palazzetti, Béla Bartók in Italy. The Politics of Myth-Making |
| title_fullStr |
Nicolò Palazzetti, Béla Bartók in Italy. The Politics of Myth-Making |
| title_full_unstemmed |
Nicolò Palazzetti, Béla Bartók in Italy. The Politics of Myth-Making |
| title_sort |
nicolò palazzetti, béla bartók in italy. the politics of myth-making |
| publisher |
Transposition |
| publishDate |
2023 |
| container_title |
URI:https://journals.openedition.org/transposition |
| url |
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.4000/transposition.8664 https://ezproxy.univ-orleans.fr/login?url=https://journals.openedition.org/transposition/8664 |
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