Nicolò Palazzetti, Béla Bartók in Italy. The Politics of Myth-Making
The “Return of the Dead” is the somewhat ominous title which Nicolò Palazzetti gives to the final section of his book: the pompous reburial of Béla Bartók in Budapest in 1988 was a fitting end for such a great artist and man, a hero of the people, a model of incorruptible morality, a victim of both...
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| Publicado en: | URI:https://journals.openedition.org/transposition, |
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| Autor principal: | |
| Formato: | Article ou chapitre numérique |
| Lenguaje: | eng |
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Transposition
2023
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Sumario: | The “Return of the Dead” is the somewhat ominous title which Nicolò Palazzetti gives to the final section of his book: the pompous reburial of Béla Bartók in Budapest in 1988 was a fitting end for such a great artist and man, a hero of the people, a model of incorruptible morality, a victim of both fascisms and Stalinism, as many commentators lauded. Taking a revisionist attitude, Béla Bartók in Italy. The Politics of Myth-Making goes back to the origins of this myth, before the watershed of... |
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