“No longer alone”: The Union des femmes artistes musiciennes (UFAM), a laboratory for new forms of professional socialisation for women musicians in the early 20th century?
In response to the economic and symbolic difficulties experienced by women musicians, the Union des femmes artistes musiciennes (UFAM), founded in 1910 by Lucy Tassart, set out to provide financial, medical and legal assistance to its members. This article examines the history of the early years of...
Kaydedildi:
| Yayımlandı: | URI:https://journals.openedition.org/transposition, |
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| Asıl Yazarlar: | , |
| Materyal Türü: | Article ou chapitre numérique |
| Dil: | Anglais |
| Baskı/Yayın Bilgisi: |
Transposition
2023
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| Konular: | |
| Online Erişim: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Özet: | In response to the economic and symbolic difficulties experienced by women musicians, the Union des femmes artistes musiciennes (UFAM), founded in 1910 by Lucy Tassart, set out to provide financial, medical and legal assistance to its members. This article examines the history of the early years of the UFAM in the light of the notion of socialization, understanding it as an instance of transformation of the uses and representations linked to the profession of musicienne in early-20th century France. |
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