Gian Carlo Menotti’s The Last Savage: Opera, Science, and Relevance in Cold War American Culture
This article explores Gian Carlo Menotti’s purposeful creation of a critical flop as an ethical stance against trends in mid-century American music. Menotti enjoyed popularity until shortly before the premiere of his comedic opera The Last Savage (1963), championing an approach to music and drama ac...
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| I publikationen: | URI:https://journals.openedition.org/transposition, |
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| Huvudupphovsman: | |
| Materialtyp: | Article ou chapitre numérique |
| Språk: | Anglais |
| Publicerad: |
Transposition
2022
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| Ämnen: | |
| Länkar: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |